Through the imaginative act of narrating and reflecting on the “action” of a painting or sculpture, the poet may amplify and expand its meaning.

An ekphrastic poem is a vivid description of a scene or, more commonly, a work of art. Trees tremble, the old vats are in bobbles, bobbles which shade and shove and render clean, render clean must.ĭrink pups drink pups lease a sash hold, see it shine and a bobolink has pins. A pot is a beginning of a rare bit of trees. These are the wets these say the sets to leave a crown to Incy.Ī pot. This is a please this is a please there are the saids to jelly. Gertrude Stein’s “Susie Asado” does not lack a musical quality, but its rapid repetition of sounds and varied sentence lengths create dissonance through tension and instability: Hand rather, my heart lo! lapped strength, stole joy, would laugh, cheer. Nay in all that toil, that coil, since (seems) I kissed the rod, Why? That my chaff might fly my grain lie, sheer and clear. Gerard Manley Hopkins’s use of fixed stresses and variable unstressed syllables, combined with frequent assonance, consonance, and monosyllabic words, has a dissonant effect. Like cacophony, it refers to a harsh collection of sounds dissonance is usually intentional, however, and depends more on the organization of sound for a jarring effect, rather than on the unpleasantness of individual words. A disruption of harmonic sounds or rhythms.

Soft flute ringtone